Sep./Oct. 2026 DC Art Rules!
From the Publisher
At the Phillips, Tomorrow, The Sun Will Rise. The Phillips Collection, in Washington D.C. has brought the DMV’s 48 best artists to its juried exhibition…
Gold and the Arriviste Presidency
By Jorge Miguel Benítez
When Louis XIV built his monarchical compound near the village of Versailles, there was a global consensus that…
The Gilded Power at 1600 Pennsylvania Avenue
By Lanita Brooks-Colbert
The Resolute Desk, long an austere symbol of democratic gravitas, now appears surrounded by high-gloss…
The Sisyphean Struggle of Don Kimes
interviewed by Jeanne Stanek
Don Kimes, recognized by the Phillips Collection in Washington, D.C. in their juried exhibition of the best living…
Tomorrow the Sun Will Rise at the Phillips Collection
By Belle DeArmon
The Phillips Collection is a venerable Washington, DC art venue. Its latest exhibition asks visitors to be vulnerable – to new…
Nick Cave: Mammoth
By Elaine A. King
Nick Cave is a distinguished American artist who masterfully blends sculpture, dance, sound, and video…
Introduction to the Pavilion of the Holy See, Venice Biennale 2026
By Rudi Zygadio
We stumbled across a sign for the pavilion of The Holy See (Vatican City) at the off-site Giardino Mistico, a garden…
What Looks At Us
By Elga Wimmer
Swiss born artist Miriam Cahn’s path to international recognition has been long and tenacious. Although active…
From the Publisher
I love the Biennale de Arte, Venezia. Each Biennale seems to consider the state of the world, presenting
Review, Biennale de Arte, Venezia 2026
By Nancy Nesvet
The title, “In Minor Keys” refers to the key that plays lightly underscoring the major and stronger…
Biennale de Venezia, 2026 Trouble in Paradise
By Elga Wimmer
This year’s 61st edition of Biennale de Venezia got off to a shaky start. There were several issues. First, losing…
John Zieman: Weaponized Beauty
By Mark Bloch
John Zieman uses the word “lensing” as a verb, as opposed to “shooting” his video works, signifying…
Katya Leonovich: Katya’s Ghosts
By Elga Wimmer
Katya’s Ghosts, a solo exhibition by Katya Leonovich of watercolors, agua fortis etchings, and a multimedia installation…
Art and AI at the Threshold of Dictatorship
By Jorge M. Benítez
At the same time that American sociopolitical exceptionalism is proving to be false, a mostly American…
Argonautica and the Golden Lion
By Richard Humann
A full generation before Odysseus there was Jason. According to Appolonius of Rhodes, writing about it in the 3rd century BC…
Bellmer Nauman Pondick: Material Desire
By Elaine A. King
Against a backdrop of global conflict, urban violence, rising dictators and the surging influence of AI, the Bellmer Nauman Pondick exhibition arrives…
From the Publisher
By Nancy Nesvet
In this issue, we continue to cover protest by arts practitioners and the general outraged public, including music and lyrics…
The Song of Angry Men? Les Misérables as Protest Music
Does protest music have to be written with protest as an intention, or does context matter? A phenomenon…
Turning Pain into Power
By Cameron Gobermann
The discovery and love for protest music and art started for me in 2020. After Covid-19 hit the world…
Being Alive: A Brief History of the Idea of AI
Someone to crowd you with love
Someone to force you to care
Someone to make you come…