By Nancy Nesvet

In this issue, we continue to cover protest by arts practitioners and the general outraged public, including music and lyrics…

Does protest music have to be written with protest as an intention, or does context matter? A phenomenon…

By Cameron Gobermann

The discovery and love for protest music and art started for me in 2020. After Covid-19 hit the world…

By Rebecca Nesvet

Someone to crowd you with love

Someone to force you to care

Someone to make you come…

By Richard Humann

“My instructor was Mr. Langley, and he taught me to sing a song. If you’d like to hear it, I can sing it for you…

By Lanita Brooks-Colbrt

MIT postdoctoral researcher Ziv Epstein, SM ’19, PhD’23, addresses issues arising from the use of generative artificial intelligence in art…

By Jorge M. Benitez

Modernism and its aftermath eclipsed the old debate between the followers of Rubens and those of Poussin. Gerald McEachern…

By Nancy Nesvet

Humanity was front and center, in the crowds, protests, pavilions and collateral and unofficial…

Nancy Nesvet

Graffiti, must be exhibited where the most people can best view it.  That is why it was originally…

By Lanita Brooks-Colbert

Across the ages, art has been a rallying cry for protest, surfacing wherever people have yearned for change. Some works have sparked new freedoms, while others…

By Pāg Black

Four of my assemblage works were installed at the Sagamore Hotel for Miami Art Week.  While I was hosting a supporter of my foundation and his son, I observed a…

By Ekaterina Sky

For much of my life as an artist, my work has centered on animals, particularly endangered species and the fragile ecosystems…

By Richard Humann

I was 16-years-old the first time I dropped acid. It was a lime-green and lemon-yellow capsule about the size…

By Jillian Goss-Holmes

Each March and October, London’s leading auction houses host their flagship modern and contemporary…

By Jorge M. Benitez

Every society must eventually confront its mythology. If it avoids the mirror, the glass will shatter, and the shards…

German philosopher Friedrich Nietzche’s theory of the “eternal return” has often proved compelling to artists. Two twentieth-century giants…

Nancy Nesvet

Just back from the Miami Art Fairs, there was some same as and some unexpected, some very commercial…

By Nancy Nesvet

Gerhard Richter, presently the world’s highest selling living contemporary artist, was born in 1932 Dresden, Germany…