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    <loc>https://www.artlanternmag.org/home/the-song-of-angry-men-les-misrables-as-protest-music</loc>
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      <image:title>Home - The Song of Angry Men? Les Misérables as Protest Music - Make it stand out</image:title>
      <image:caption>Les Miserables, London Production</image:caption>
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  <url>
    <loc>https://www.artlanternmag.org/home/turning-pain-into-power</loc>
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      <image:title>Home - Turning Pain into Power - Make it stand out</image:title>
      <image:caption>Collage by Cameron Gobermann, 2020, Magazine Cutouts.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/88e8c874-989a-48ef-a5df-6770f923fa87/IMG_4129.jpg</image:loc>
      <image:title>Home - Turning Pain into Power - Make it stand out</image:title>
      <image:caption>Painting by Cameron Gobermann, Acrylic and fake flowers on wood, 2020</image:caption>
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      <image:title>Home - Turning Pain into Power - Make it stand out</image:title>
      <image:caption>Painting by Valendice Payne, Acrylic, 2020</image:caption>
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      <image:title>Home - Turning Pain into Power - Make it stand out</image:title>
      <image:caption>Painting By Infinity Gamble, Acrylic, 2020</image:caption>
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  <url>
    <loc>https://www.artlanternmag.org/home/being-alive-a-brief-history-of-the-idea-of-ai</loc>
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    <lastmod>2026-05-17</lastmod>
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      <image:title>Home - Being Alive: A Brief History of the Idea of AI - Make it stand out</image:title>
      <image:caption>Vaucanson’s Duck. Wikimedia Commons.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/6afc7b90-a0f9-4225-8462-6df9fb17fb42/image+%281%29.png</image:loc>
      <image:title>Home - Being Alive: A Brief History of the Idea of AI - Make it stand out</image:title>
      <image:caption>The Turing-style “Voight-Kampff” test conducted in Blade Runner.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/1fe1af55-c04c-428b-b4ea-f54b706a7a0e/image+%282%29.png</image:loc>
      <image:title>Home - Being Alive: A Brief History of the Idea of AI - Make it stand out</image:title>
      <image:caption>“Being Alive,” sung by Ramin Karimloo, 2015. (Click photo for video link).</image:caption>
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  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/just-what-do-you-think-youre-doing-hal</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/d72b530f-f70b-44d7-b5ec-a05238d9226a/Hal%27s+Eye.jpg</image:loc>
      <image:title>Home - Just What Do You Think You’re Doing, HAL? - Make it stand out</image:title>
      <image:caption>‘The eye of the HAL 9000 computer.’ Film still from 2001: A Space Odyssey. Stanley Kubrick, 1968.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/d760b8ac-2720-4b5c-9d6b-832747667fb9/1_mujn38ifxjfg6qu0-_jk0g.jpg</image:loc>
      <image:title>Home - Just What Do You Think You’re Doing, HAL? - Make it stand out</image:title>
      <image:caption>‘Match-cut of Moon-Watcher’s bone to the Discovery One spacecraft.’ Film still from 2001: A Space Odyssey. Stanley Kubrick, 1968.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/9c1a4647-6782-4b47-b4c1-93a260d3a398/Full+March+of+Progress.jpg</image:loc>
      <image:title>Home - Just What Do You Think You’re Doing, HAL? - Make it stand out</image:title>
      <image:caption>‘The Road to Homo Sapiens’ created by Rudolph Zallinger, 1965.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Home - Just What Do You Think You’re Doing, HAL? - Make it stand out</image:title>
      <image:caption>Image courtesy of cottonbro studio | Pexels</image:caption>
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  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/the-digital-muse-artificial-intelligence-and-the-new-humanities</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-17</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/002fc127-5f5e-40dd-899d-04335752ad54/image+%282%29.jpeg</image:loc>
      <image:title>Home - The Digital Muse: Artificial Intelligence and the New Humanities - Make it stand out</image:title>
      <image:caption>You Reap What You Sow by Kriss Salmanis on Display in Latvia, 2022. Source: Kriss Salmanis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/0cb951d3-91ee-4ce5-bff6-572506bc277c/2009.11.49-aspect-ratio-2.25-1.webp</image:loc>
      <image:title>Home - The Digital Muse: Artificial Intelligence and the New Humanities - Make it stand out</image:title>
      <image:caption>The Guerrilla Girls, 1989.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/holding-space</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/864d8bb7-4b90-4264-92b3-1f128c4c785e/image+%283%29.jpeg</image:loc>
      <image:title>Home - Holding Space - Make it stand out</image:title>
      <image:caption>Gerald McEachern, “Borderlines,” 2026, acrylic on canvas, 24” x 24” each</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/7a9ed178-4540-4b1d-83c7-4053e96cdff5/image+%284%29.jpeg</image:loc>
      <image:title>Home - Holding Space - Make it stand out</image:title>
      <image:caption>Gerald McEachern, “Life,” 2023, acrylic on canvas, 36” x 36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/dcbcc76d-5a2b-4d8c-a024-b966b4962d09/image+%285%29.jpeg</image:loc>
      <image:title>Home - Holding Space - Make it stand out</image:title>
      <image:caption>Gerald McEachern, “Exposed,” 1986-2023, acrylic on canvas, 36” x 36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/f1dd2efc-9d31-43df-9597-8491cc33c7aa/image+%286%29.jpeg</image:loc>
      <image:title>Home - Holding Space - Make it stand out</image:title>
      <image:caption>Gerald McEachern, “Enigma,” 2025, acrylic on canvas, 36” x 36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/8cea4f7f-e151-4188-81c7-12718e98de09/image+%287%29.jpeg</image:loc>
      <image:title>Home - Holding Space - Make it stand out</image:title>
      <image:caption>Gerald McEachern, “No Planet B’” 1987-2026, acrylic on canvas, 36” x 36”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/ec4eb95c-1793-42d3-b187-ec32cac74596/image+%288%29.jpeg</image:loc>
      <image:title>Home - Holding Space - Make it stand out</image:title>
      <image:caption>Gerald McEachern, “Man Up,” 2026, found object (wood and steel), 23” x 14”</image:caption>
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  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/review-biennale-de-arte-venezia-2026</loc>
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    <priority>0.5</priority>
    <lastmod>2026-05-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/ab6752d4-567b-42c7-930d-00b146074316/IMG_3183.jpeg</image:loc>
      <image:title>Home - Review, Biennale de Arte, Venezia 2026 - Make it stand out</image:title>
      <image:caption>Armen Agop, Egypt, Silence Pavilion</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/122370a7-e7b5-412b-abd9-77da9f7d3b18/IMG_3186.jpeg</image:loc>
      <image:title>Home - Review, Biennale de Arte, Venezia 2026 - Make it stand out</image:title>
      <image:caption>Armen Agop, Egypt, Silence Pavilion Pavilion, Between the Tangible and the Intangible</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/5d2a08f4-4ea3-453e-94e8-15838b91c768/IMG_3167.jpeg</image:loc>
      <image:title>Home - Review, Biennale de Arte, Venezia 2026 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/31fc926b-0bda-4069-953a-0858541a888f/IMG_3130.jpeg</image:loc>
      <image:title>Home - Review, Biennale de Arte, Venezia 2026 - Make it stand out</image:title>
      <image:caption>Russia Pavilion</image:caption>
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    <lastmod>2026-03-09</lastmod>
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  <url>
    <loc>https://www.artlanternmag.org/home/can-art-shake-power-creative-confrontation-and-the-role-of-protest-art</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/b848b600-1ae9-4f0e-b1ad-74a1a0b85b21/Guerilla+photo.jpeg</image:loc>
      <image:title>Home - Can Art Shake Power? Creative Confrontation and the Role of Protest Art - Make it stand out</image:title>
      <image:caption>Banksy – The Guerilla Street Artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/160b483a-edf6-4395-8bac-b6a118bb1d9e/Liberty+%40+jean.jpeg</image:loc>
      <image:title>Home - Can Art Shake Power? Creative Confrontation and the Role of Protest Art - Make it stand out</image:title>
      <image:caption>Liberty © Jean-Michel Basquiat 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/fccf91b4-fd1d-4af8-aecf-6966de08b3a4/whitney.png</image:loc>
      <image:title>Home - Can Art Shake Power? Creative Confrontation and the Role of Protest Art - Make it stand out</image:title>
      <image:caption>Image © Whitney / Ignorance = Fear / Silence = Death © Keith Haring 1989</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/pag-black-art-for-the-environment</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/3857f0b9-18b0-473d-84a6-66c356d8a441/Sunflowers+on+my+mind.png</image:loc>
      <image:title>Home - Art for the Environment - Make it stand out</image:title>
      <image:caption>“Sunflowers on My Mind Floating in a River under Clear Skies” “Metaverse Dreams” Copper, computer chips, wood, canvas, crystals, cork, plastic and rubber, spray and acrylic paint (5’ x 4’, 2025)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/d7afb128-6b43-433f-8dde-2718c757f651/Tear+in+the+technoverse.png</image:loc>
      <image:title>Home - Art for the Environment - Make it stand out</image:title>
      <image:caption>“Tear in the Technoverse”  “The WORLD is ENERGY: Universal Equations” “Bark &amp; Core”  (5ft x 4 ft., 2025)</image:caption>
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  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/a-prayer-beneath-the-gold</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
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  <url>
    <loc>https://www.artlanternmag.org/home/shine-on-you-crazy-diamonds</loc>
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    <priority>0.5</priority>
    <lastmod>2026-04-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/8bcd7eab-3d82-4d67-a1de-6c00437f4ee4/Wish+You+Were+Here_Ouline_4.jpg</image:loc>
      <image:title>Home - Shine On You Crazy Diamonds - Make it stand out</image:title>
      <image:caption>Pink Floyd, ‘Wish You Were Here.’ Released by Harvest Records, 1975. Album art by Hipgnosis.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/from-street-to-catalogue-the-institutional-embrace-of-graffiti</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/36cd0dae-aa65-4f75-9c7c-fdd3362cd892/Jillian+pic+1.png</image:loc>
      <image:title>Home - From Street to Catalogue: the Institutional Embrace of Graffiti - Make it stand out</image:title>
      <image:caption>Banksy, Love is in the Bin (2018). Photo Courtesy: Sotheby’s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/c2b0d8a1-b1de-4774-abe9-6278d7d70d32/Jillian+pic+2.png</image:loc>
      <image:title>Home - From Street to Catalogue: the Institutional Embrace of Graffiti - Make it stand out</image:title>
      <image:caption>STIK, Untitled (1979). Photo Courtesy: Christie’s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/df881ade-07d9-4418-8cb6-298324c41b05/Jillian+Pic+3.png</image:loc>
      <image:title>Home - From Street to Catalogue: the Institutional Embrace of Graffiti - Make it stand out</image:title>
      <image:caption>D*FACE, Framed Punk &amp; Disorderly HPM 08 (2025). Photo Courtesy: StolenSpace Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/a6fef319-33e8-424a-9c77-6aae70544542/Jillian+pic+4.png</image:loc>
      <image:title>Home - From Street to Catalogue: the Institutional Embrace of Graffiti - Make it stand out</image:title>
      <image:caption>Photograph of the The Real Art Of Street Art project (2014). Photo Courtesy: RWB Auctions</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/a-broken-contract</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/c313854c-7cf4-4b55-a106-bbba9f58d7b8/The+Scythers%2C+1908.jpeg</image:loc>
      <image:title>Home - A Broken Contract - Make it stand out</image:title>
      <image:caption>The Scythers by N.C. Wyeth, 1908</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/return-to-sender-cocteau-and-stoppard-respond-to-nietzsche</loc>
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    <priority>0.5</priority>
    <lastmod>2026-03-09</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/1d329dc5-3170-4bc3-9192-0c311bfa9f75/Return+to+sender+pic+2.jpeg</image:loc>
      <image:title>Home - Return to Sender: Cocteau and Stoppard Respond to Nietzsche - Make it stand out</image:title>
      <image:caption>Tom Stoppard. “Arcadia.”</image:caption>
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  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/op0fzzg1id6xr9q7cnpnyt9zxrcxbw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/0f419a80-8dda-4c20-ae81-d7a896d1d5c3/From+publisher%2C+Mappa.jpeg</image:loc>
      <image:title>Home - From the Publisher - Alighiero Boetti</image:title>
      <image:caption>“Map of the World”, 1971-1994.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/459315fb-55d1-4556-b63e-03db525b0faf/PXL_20251201_192137107%7E2.jpg</image:loc>
      <image:title>Home - From the Publisher - Make it stand out</image:title>
      <image:caption>Ruth Mulvie, “KISS of the Year”, courtesy DaSilva Gallery/ GALLERyLABS, Buenos Aires and New Haven.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/about-this-issue</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-20</lastmod>
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  <url>
    <loc>https://www.artlanternmag.org/home/bone-music-resurrection</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/995eb000-51af-4516-8f26-196392bdcc10/Richard+Humann+Bone+Music</image:loc>
      <image:title>Home - Bone Music Resurrection</image:title>
      <image:caption>Richard Humann, “Tomorrow I’ll Miss You”, Original music pressed into polycarbonate flexi discs, ink on paper, steel, 7.5 x 7.5 in each, 2025. Courtesy of the artist and Leonovich Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/05b34b80-3ba2-4279-9950-62ed91e1fc45/Richard+Humann+Leonovich+Gallery</image:loc>
      <image:title>Home - Bone Music Resurrection - Make it stand out</image:title>
      <image:caption>Richard Humann, “Tomorrow I’ll Miss You”, Installation view at Leonovich Gallery, New York City, 2025. Courtesy of the artist and Leonovich Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/345ce3e8-052f-44ba-ad27-bcee2f1a3478/Richard+Humann+Bone+Music</image:loc>
      <image:title>Home - Bone Music Resurrection - Make it stand out</image:title>
      <image:caption>Richard Humann, “Life Ain’t Funny (When You Wake Up Dead)”, Original music pressed into polycarbonate flexi discs, ink on paper, steel, 7.5 x 7.5 in each, 2025. Courtesy of the artist and Leonovich Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/f7574c85-5d07-41fa-b047-2e3cda5e12ce/Richard+Humann+Bone+Music</image:loc>
      <image:title>Home - Bone Music Resurrection - Make it stand out</image:title>
      <image:caption>Richard Humann, “Dead Horse Bay”, Original music pressed into polycarbonate flexi discs, ink on paper, steel, 7.5 x 7.5 in each, 2025. Courtesy of the artist and Leonovich Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/5ea29aa3-4962-4235-94f5-5f1ff52a1c0a/Richard+Humann+Bone+Music+Turntable</image:loc>
      <image:title>Home - Bone Music Resurrection - Make it stand out</image:title>
      <image:caption>Richard Humann, “Turntable”, Video with sound, Variable dimensions, 2025. Courtesy of the artist and Leonovich Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/7f353c2c-d0fd-452f-9164-824cb84152ca/Richard+Humann+Leonovich+Gallery</image:loc>
      <image:title>Home - Bone Music Resurrection - Make it stand out</image:title>
      <image:caption>Richard Humann, “Tomorrow I’ll Miss You”, Installation view at Leonovich Gallery, New York City, 2025. Courtesy of the artist and Leonovich Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/gerhard-richternbsp-question-everything</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2026-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/ae9cea9e-3565-4bd4-84b3-8d5a6490580b/Gerhard+Ricter%2C+Val+Fex+%28detail%29+Engadin.jpeg</image:loc>
      <image:title>Home - Gerhard Richter: Question Everything - Make it stand out</image:title>
      <image:caption>Gerhard Richter, “Val Fex”, Sils, Engadin.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/8a798d3b-280c-4ff5-b9f4-07a8e31b4172/Image+for+cover.jpg</image:loc>
      <image:title>Home - Gerhard Richter: Question Everything - Make it stand out</image:title>
      <image:caption>Gerhard Richter, Tisch (Table), 1962.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/feadd42d-de67-40a7-8252-41dcd6a4562d/Gerhard+Richter+48+Portraits%2C+German+pavillion+Venice+Biennale.jpeg</image:loc>
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      <image:caption>Gerhard Richter, 48 Portraits, 1961-1962, for German Pavilion, Venice Biennale.</image:caption>
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      <image:title>Home - Gerhard Richter: Question Everything - Make it stand out</image:title>
      <image:caption>Gerhard Richter, Glasscheiben, 1967.</image:caption>
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  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/still-life-after-richter-tante-marianne</loc>
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    <lastmod>2026-01-21</lastmod>
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      <image:title>Home - Still Life, after Richter (Tante Marianne) - Tante Marianne</image:title>
      <image:caption>Gerhard Richter, 1965.</image:caption>
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  <url>
    <loc>https://www.artlanternmag.org/home/paris-in-autumn-glow</loc>
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    <lastmod>2026-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/fc49f3e2-984e-43a0-92d3-bf1c2fce1a3b/Franz+Erhardt+Walther+at+Jocelyn+Wolff+gallery.jpeg</image:loc>
      <image:title>Home - Paris in Autumn Glow - Make it stand out</image:title>
      <image:caption>Franz Erhardt Walther, installation view. Courtesy Jocelyn Wolff Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/197bf429-f5ca-45a4-a5d4-a92eaf3ae600/Yuree+Kensaku+%40Galerie+Enrico+Navarra+-+photo+%40+Gr%C3%A9gory+Copitet.jpeg</image:loc>
      <image:title>Home - Paris in Autumn Glow - Make it stand out</image:title>
      <image:caption>Yuree Kensaku, “Sailor Usagi from the Rainbow Universe”, 2024, 78.7 x 66.9 in. Photo Gregory Copitet. Courtesy Enrico Navarra Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/02ff1083-2b63-4a42-854c-399470f9c13c/The+Nomadic+Eye+%40Perrin.jpeg</image:loc>
      <image:title>Home - Paris in Autumn Glow - Make it stand out</image:title>
      <image:caption>“The Nomadic Eye”, curated by Valerie Cueto. Courtesy Perrin Antiquaires.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/1768695015616-N8UMDDVJQAUDDBD1JLKG/New+R.jpg</image:loc>
      <image:title>Home - Paris in Autumn Glow - Make it stand out</image:title>
      <image:caption>Robert Rauschenberg, “Able Was/Ere/ISawElba”, 1983, Transfer and glaze on high-fired ceramic, 106.42 x 90.98 x 2.68 in, ©Robert Rauschenberg Foundation/ARS, New York 2025. Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg • Milan • Seoul.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/43287fe0-1f72-465f-bd4e-13bdf84af803/03_Luis_Adelantado_Dario_Villalba_El_Enfermo.jpg</image:loc>
      <image:title>Home - Paris in Autumn Glow - Make it stand out</image:title>
      <image:caption>Dario Villalba, “El Enfermo”, 1974-1991. Photo by Graysc studio. Courtesy Luis Adelantado and the Legacy.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artlanternmag.org/home/desire-over-speculation-rethinking-how-art-is-bought-now</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/d6079c3e-be3a-46c7-9cc3-2358f019e95f/IMG_0772.jpg</image:loc>
      <image:title>Home - Desire Over Speculation: Rethinking How Art Is Bought Now - Make it stand out</image:title>
      <image:caption>Frida Kahlo, El sueño (La cama), 1940. Photo Courtesy: Sotheby's.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/10b2e693-8cd0-4059-8217-c2c2ac1daf89/IMG_2707+copy.jpg</image:loc>
      <image:title>Home - Desire Over Speculation: Rethinking How Art Is Bought Now - Make it stand out</image:title>
      <image:caption>Detail of a work by Desmond Beach, presented by Richard Beavers Gallery, SCOPE, 2025. Photo Courtesy: Jillian Goss-Holmes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/bae91fcd-ad9c-4820-9bdf-0993772f8530/IMG_0776.jpg</image:loc>
      <image:title>Home - Desire Over Speculation: Rethinking How Art Is Bought Now - Make it stand out</image:title>
      <image:caption>Details of a work by Lisa Yuskavage, presented by David Zwirner Gallery, Art Basel in Miami Beach, 2025. Photo Courtesy: Jillian Goss-Holmes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/86544ff3-2af9-4223-a776-3199ab8195ec/IMG_0774.jpg</image:loc>
      <image:title>Home - Desire Over Speculation: Rethinking How Art Is Bought Now - Make it stand out</image:title>
      <image:caption>Detail of work by Death by Narhwals, Umbrella Art Fair, 2025. Photo Courtesy: Jillian Goss-Holmes.</image:caption>
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  <url>
    <loc>https://www.artlanternmag.org/home/art-innovation-the-built-world</loc>
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    <lastmod>2026-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/3de1fe70-5bf2-45b6-97fa-a35ee83b4945/John+Jones%2C+Gallary+1957%2C+kempinski+hotel%2C+Gold+coast+city%2C+accra%2C+Ghana.jpg</image:loc>
      <image:title>Home - Art • Innovation • The Built World - Make it stand out</image:title>
      <image:caption>Khalid Thompson, Golden Gene Pool, 2019, Acrylic and mixed media on Canvas Eyitayo Alagbe, Born King, 2022, Charcoal and Acrylic on Canvas. Ram Brisueno, In the Painted Gardens, 2021, Acrylic and found paper.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/ad113de7-c9b1-4029-ba50-e1eca63161ff/John+Jones%2C+Light+Box+art+structure+%40+yard+park%2C+Navy+yard+DC.jpeg</image:loc>
      <image:title>Home - Art • Innovation • The Built World - Make it stand out</image:title>
      <image:caption>John Jones, Light Box art structure at Yards Park, Washington Navy Yard, DC.</image:caption>
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  <url>
    <loc>https://www.artlanternmag.org/home/emotional-awareness-in-giovanni-agostino-da-lodi-between-leonardo-and-caravaggiobetween-leonardo-and-caravaggio-giovanni-agostino-da-lodi-and-the-attention-to-states-of-mind</loc>
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      <image:title>Home - Emotional Awareness in Giovanni Agostino da Lodi: Between Leonardo and Caravaggio - Make it stand out</image:title>
      <image:caption>Leonardo Da Vici, “Adoration the Magi” (Unfinished, 1481), Florance.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/1477ba41-5f5f-4882-9da3-d1d7923d03d3/Leonardo%2C+study+of+heads+%28windsor+castle%29.jpg</image:loc>
      <image:title>Home - Emotional Awareness in Giovanni Agostino da Lodi: Between Leonardo and Caravaggio - Make it stand out</image:title>
      <image:caption>Studies of Heads (Windsor Castle, Royal Library).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6959cf9a6c0ab25e95b68d8d/f87f612f-0bf1-4bae-8aa4-f93fe6a47e71/Caravaggio+Boy_Bitten_by_a_Lizard_Firenze_Longhi.jpg</image:loc>
      <image:title>Home - Emotional Awareness in Giovanni Agostino da Lodi: Between Leonardo and Caravaggio - Make it stand out</image:title>
      <image:caption>Caravaggio, “The Boy Bitten By a Lizard”, 1594, National Gallery London.</image:caption>
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  <url>
    <loc>https://www.artlanternmag.org/home/caravaggio-a-new-film</loc>
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      <image:title>Home - Caravaggio - A New Film - Make it stand out</image:title>
      <image:caption>Caravaggio, “David With The Head of Goliath”, 1609-10, Galleria Borghese, Rome.</image:caption>
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    <loc>https://www.artlanternmag.org/home/process-and-invalidation</loc>
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      <image:title>Home - Process and Invalidation - Make it stand out</image:title>
      <image:caption>Jasper Johns, “The Critiques Sees” (Sculpture), 1961.</image:caption>
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      <image:title>Home - Process and Invalidation - Make it stand out</image:title>
      <image:caption>Jenny Saville, “The Anatomy of Painting” National Portrait Gallery, London.</image:caption>
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